Boo Saville’s fields of colour shimmer, each massive painting drawing you in and, once you are up close, their surfaces seem to conjure immersive spaces, as though the air has suddenly been coloured and there is space to fall in. Such a physical and emotional impact is reminiscent of Rothko’s Chapel in Houston, where his 14 black and coloured hue paintings cover the internal space
The exhibition True Colours, curated by Damien Hirst at his Newport Street Gallery (opened in 2015 to display Hirst’s expansive collection to the public), brings together three female painters, Helen Beard, Sadie Laska and Boo Saville, whose practice encompasses interestingly different usages of colour, form and subject. For those who have not visited Newport Street, the gallery spaces are cathedral-like in scale and use the idea of a white cube to maximum effect. There is room to view every work from a good, airy distance, and while taking a first look at this exhibition, it is impossible not to be astonished at the immersive colours of the works.
The co-founder of Caruso St John Architects, behind such projects as Tate Britain’s refurbishment and Damien Hirst’s Newport Street Gallery, talks about their long-term work renovating the house and gardens of Hospitalfield in Scotland and the importance of working sustainably
In this solo exhibition, Eder explores cultural value judgments through his kitsch portrayals of kittens, puppies and female nudes, in paintings spanning the past 15 years of his career
True Colours, curated by Damien Hirst for his Newport Street Gallery in London, shows works by Helen Beard, Sadie Laska and Boo Saville. We talked to the three artists about the works they have in the show
New York-based Sadie Laska, who is both a painter and a drummer, brings her improvisation skills into her wall-based works, using collage, small objects and brushed colour in flight. Each work embraces the tactility of materials and the motion of thoughts and actions in the…
