Archive
-
Studio International – December 1969
Volume 178 Number 917
-
Technology and art 8: `The prehistory of the visible’
To read Burnham on vitalist or biomorphic sculpture is to be reminded that there is no apparent correlation between the stature of a given artist and the validity of his scientific assumptions. The discontinuities between science and modern art are…
-
Studio International – November 1969
Volume 178 Number 916
-
Studio International – October 1969
Volume 178 Number 915
-
Studio International – September 1969
Volume 178 Number 914
-
Technology and art 5
The added originality in [Petar] Milojević’s technique is that by slight changes to his programming logic he can produce an infinite variety of floral textures. This seems as near ‘art’ as anything one has seen from computers: a poetic hint…
-
Studio International – July/August 1969
Volume 178 Number 913
-
Studio International – June 1969
Volume 177 Number 912
-
Technology and Art 4: SYMBIOTIC ART
Sound and light are not the only media which can be used, and it seems worthwhile to consider such work as moving towards a new art form or research discipline— a suitable name for which could be ‘symbiotic art’.
-
Studio International – May 1969
Volume 177 Number 911
