Archive

  • Lucie Rie/Hans Coper: Life at the Wheel

    With more than 200 works drawn wholly from private collections, this exhibition may be a once in a lifetime chance to see such a diverse display of the output of these two potters

  • Virginia Verran – interview

    Verran paints large atmospheric spaces filled with small, often cryptic, graphic details. She explains why she doesn’t see herself as an abstract artist, but desires to keep the viewer on their toes – or even on ‘metaphorical barbed wire’

  • Gladys Hynes: Radical Lives

    Running the gamut from ardent to whimsical, Gladys Hynes is a character well worth recovering from the annals of history

  • The Lucas Museum of Narrative Art opens

    May the Force Be With You! Finally landed on Earth after a decade in the planning,untoldhirings and firings, and endless revisions to the 100,000 square feet of show space, and more than 30 galleries holding more than 1,300 objects, George…

  • Francisca Aninat – interview

    The Chilean artist talks about listening, stitching and her latest show, which combines photographs and works with thread

  • Pedro Cabrita Reis – interview

    The internationally acclaimed artist talks about his current show in Venice, XIV Steps, a cycle of 14 paintings inspired by the Stations of the Cross and why, despite not being religious, he was moved to paint them

  • Monika Sosnowska: Weight of Matter

    The first UK survey of the esteemed Polish sculptor twists and distorts architectural features into sombre monuments to lost eras

  • Clare Woods: Garden Without Seasons

    Despite its darker undertones of climate change and capitalism, Clare Woods’s exhibition is a joyful explosion of nature, responding beautifully to the neoclassical architecture and the lush gardens of Sir John Soane’s country retreat

  • Gwen John: Strange Beauties

    To mark the 150th anniversary of Gwen John’s birth, this intimate and characterful exhibition more than celebrates her often veiled talent

  • John Gibbons – interview

    In his Basildon studio, sculptor John Gibbons talks about light, the Big Bang, the importance of openness and modelling Winston Churchill’s hands